Great Writing from Charles C. Mann in the Atlantic Monthly

Followers of this blog, and I mean both of you, know by now that I am a fan of getting the word out about good writing. Here’s a nice example from the May issue of the Atlantic Monthly. It is from the cover article, titled “We Will Never Run Out Of Oil.” The whole article is fascinating, and I suggest you check it out. But there are also some nice little gems. Consider these two sentences:

Going about Bakersfield one night, I got hopelessly lost and ended up at a chain-link fence. Behind the fence were thousands of oil pumps, nodding up and down like so many giant plastic drinking birds.

This kind of sentence makes me realize how rarely I make use of such visual imagery in my own writing. That is something for me to work on.
 

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  • Great Writing, But Not by the Author of the New Thomas Jefferson Biography

    Jon Meacham’s best-selling biography, Thomas Jefferson: The Art of Power, is at best a solid read, presenting the basic facts of Jefferson’s life competently but with little grace and an almost invisible point of view. Perhaps I have been spoiled by Robert Caro’s amazing series of books on Lyndon Johnson, four volumes so far that not only make Johnson come to life (his ruthless genius as well as his fascinating contradictions) but also illuminate a whole era in U.S. history, all the while enveloping readers in gloriously rhythmic paragraphs. It is not fair, perhaps, to compare any biographer to Caro. Meacham’s book, after all, is just a single volume, so it cannot explore Jefferson in the same depth that Caro portrays Johnson. Meacham also had the disadvantage of writing about a man who lived a couple hundred years ago, whereas Caro could interview people who knew the subject of his biography firsthand. In addition, Meacham is a busy man, running a publishing company and appearing on television shows, whereas Caro lives the life of an obsessive, dedicating the better part of his adult life to understanding the ins and outs of Johnson’s life.
    Nevertheless, if you are going to write a book about an American president and subtitle it “The Art of Power,” you better expect some Caro comparisons.
    As it turns out, however, being compared to Caro is the least of Meacham’s writerly problems. Because there is another great writer that readers won’t be able to ignore when making their way through Meacham’s book. That writer, of course, is Thomas Jefferson.
    I’m going to give you a sprinkling of Jefferson’s prose in a bit, and follow-up later this week with several other great Jefferson quotes. But first, a little bit more on Meacham’s book. I was really disappointed, because in Meacham’s hands, Jefferson rarely comes alive on the page. Time passes by and suddenly the reader realizes: “Jefferson just became governor of Virginia? Was that something he was trying to accomplish? Which of the arts of power did he employ to reach that position?” Meacham never provides answers to these kinds of questions.

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